Dear Literary Folk,
Call for Your Short Prose or Poem for October’s Literary Update
In 2024, I began featuring a different Sonoma County writer at the end of the Literary Update Post. I’ve met a few writers this way that I had never heard or read before. And some of these writers were making their publishing debut here. I didn’t receive any submissions in August, (maybe you were off on your summer adventures, as was I), so I’m hoping to jumpstart the fall selections with this call.
Send me a poem, a prose poem, a piece of flash fiction, or creative nonfiction—all genres are welcome, as long as the piece you send is no more than a page in length. I like to include pieces that in some way evoke or respond to the season, but that’s not a requirement. And if you’re saving your unpublished work for a grander stage, consider sending something you’ve already published. Just let me know the book or journal where it was first printed.
You’ll find more submission guidelines are at the end of this post.
On Creating and Editing
In late August, the pink belladonna make their annual appearance, heralding the return to school. I’ve been retired from teaching for almost six years, and still the end of summer evokes new syllabi, new books, school supplies, learning students’ names, and reciting the poem I always started the semester with in my Dreams and Inward Journeys class: Walt Whitman’s “When I Heard the Learned Astronomer.”
When I heard the learn’d astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander’d off by myself,
In the mystical moist night-air, and from time to time,
Look’d up in perfect silence at the stars.
This poem was one of the ways I’d introduce the difference between right and left hemisphere modes of thinking, and their parallels to the creator vs. editor: both are essential to writing, but a writer has to lead with the right, not with the left. Don’t invite the editor into the room till you have some pages filled. This Dreams and Inward Journeys class was actually English 1A, AKA Freshman Composition, but I found that talking about dreams and poetry eased us all into the writing process more gently than standard approaches to rhetoric. I’d also use William Stafford’s “A Way of Writing, “ in which he advocates for two guiding principles: receptivity—being open to any thoughts, perceptions, or words that happen to come along, without judgment—and a disregard for failure.
“So, receptive, careless of failure, I spin out things on the page. And a wonderful freedom comes. If something occurs to me, it is all right to accept it. It has one justification: it occurs to me. No one else can guide me. I must follow my own weak, wandering, diffident impulses.”
This “spinning time” in my own writing life is my favorite. It takes enormous trust in the process, but once you step outside the conscious intentions of the left-brain, let go the reins of rational control, something else takes over. Sometimes it’s guided by sound and music; sometimes by the threads of dreams or memories; almost always associative, metaphoric logic is at work. In this stage of writing, I feel like a spider throwing a line of web-silk out into thin air, then, trusting that the end of that line will find an anchor, I set out crossing this line of words, keeping a precarious balance between the part of me that’s consciously setting words down on paper and the part of me that’s “dreaming awake,” a term Stephen King used to describe his writing process in the essay “The Symbolic Language of Dreams.”
During the 40+ years when I was teaching, I set aside time each summer for a writing retreat, time away from home and kids and gardening and housekeeping—and far away from syllabi or grades or essays. It was like breathing again after a long time under water. I needed that “spinning time.”
This summer I set aside time for that other necessary part of the writing life: editing. I’ve been putting together a manuscript of poems written since 2011 or so (which is the last time I published a book of my own poems). Many of you have been through this process, and some of you multiple times. It’s exciting to come up with a way to order the poems, discovering common themes between pieces of widely different styles or subject matter, but humbling to winnow the poems down to the ones that together make a book. So many favorites end up in the “not this time” pile. Then there’s the challenge of soliciting and bracing for feedback. What a blessing to have friends and colleagues who will tell you the hard truths! And what a gift it is when someone says,” This is great!”
Gertrude Stein, who surely baffled many a reader and editor, once wrote a very tender piece about what it feels like when someone says “yes” to what you’re doing—when someone can see that intricate web which you’ve been holding in your mind actually there, and caught just-so in the morning light. If you scroll down to the end of this post, you’ll find this quirky piece by Stein.
Who Is She?
This year, The Sitting Room debuted its 2026 annual anthology in a new, perfect-bound format, edited by the Sitting Room’s program director, Iris Jamahl Dunkle. The anthology’s theme is reflected in the title Who Is She? Remarkable Women You Want to Know. On Saturday, September 12, 1-3 pm, the Sitting Room hosts a virtual launch on Zoom with over 30 contributors reading. Sign up via Eventbrite to attend. Copies of the anthology may be purchased on the Sitting Room website for $20 + $5 shipping.
Petaluma Poetry Walk Sunday, September 20, from 11 a.m. to 7 p.m.
On Sunday, September 20, we’ll once again be treated to a festival of poetry unlike any others: a free, day-long movable feast of live poetry readings that brings together poets and community members in the heart of downtown Petaluma.
Founded in 1996 by the late Geri Digiorno, a beloved poet and former Sonoma County Poet Laureate, the Poetry Walk continues her vision of making poetry accessible, vibrant, and rooted in community. The Walk’s current director, Kary Hess, took over last year from Bill Vartnaw, who guided the Walk for many years before and after Geri’s passing in 2019. Kary has also launched a Poetry Walk Magazine which features work by the 24 poets who will present their work at eight local venues. Come for one reading, two readings, or stay for them all—the public is warmly invited to experience the power of poetry in any way that fits.
Featured Poets and Venues
- Hotel Petaluma, 11:00 a.m.: Dane Cervine, Lenore Myers, Carolyn Miller
- Keller Street CoWork, 12 Noon: Elizabeth Foster, Nika Grajqevci, Juno Phipps
- The Phoenix Theater, 1:00 p.m.: Lorrie Chang, Mahrs Emerson Schoppman, mOody bLaCk
- Copperfield’s Books, 2:00 p.m.: Farnaz Fatemi, Ellen Kombiyil, Claire Drucker
- Petaluma Historical Library and Museum, 3:00 p.m.: Pat Nolan, Adrián Arias, Francesca Bell
- Usher Gallery, 4:00 p.m.: Donna Emerson, Jack Crimmins, Dr. Jeanne Powell
- Jess Brown Design, 5:00 p.m.: Maw Shein Win, Lourdes Figueroa, Luisa Giulianetti
- The Big Easy, 6:00 p.m.: Deyci Carrillo López, Wendy M. Thompson, Cintia Santana
Detailed schedule: petalumapoetrywalk.org/2026-schedule
The 2026 annual poetry magazine The Walk will be available at the event and includes poetry from all 24 poets. Cover art is by Ellen Kombiyil, co-winner of the Raleigh Review‘s 2025 Geri Digiorno Prize. Preorder here.
The Gates of Midnight
If you enjoyed Helene Wecker’s The Golem and the Jinni, and its sequel Hidden Palace, then don’t miss award-winning and bestselling author Helene Wecker when she comes to Petaluma in celebration of The Gates of Midnight, the long-awaited conclusion to her mythopoetic trilogy. Friday, September 18, 7:00 p.m. Copperfield’s Books presents an evening of conversation as Helene discusses the inspiration behind her acclaimed fantasy series, the art of building magical worlds rooted in history. More details and RSVP: copperfieldsbooks.com/event/2026-09-18/helene-wecker
Café Frida is now Café Little Deer
Café Little Deer Poetry Festival continues the series started by Ed Coletti, and now hosted by Gwynn O’Gara. This month’s featured poets and musicians are Meg Hamill, Jordan Ranft, Kelly Gray, Ed Coletti, Claire Drucker, Dan Coshnear and Renée Owen, with Brian Foster on Japanese Flute and Koto. Location: Café Little Deer, 300 South A. St., Santa Rosa.
Mark your Calendars for These October Events
Watch next month’s post of the Literary Update for details about these two upcoming events.
Saturday, October 17:
Poesia del Recuerdo/Poetry of Remembrance Community Reading, 6-8 PM at the Petaluma Historical Library and Museum, 20 4th Street, Petaluma. An evening of poetry and song honoring our departed loved ones, hosted by Sonoma County Poet Laureate Claire Drucker. Everyone is invited to share a brief poem of remembrance (2-3 minutes) in English, Spanish, or another language.
Sunday, October 18:
Celebration of Life for Phyllis Meshalum, 3-5 PM at the Sebastopol Center for the Arts.
Sunday, October 25:
Sixteen Rivers Fall Fundraiser and 27th Anniversary Celebration: 2-5 PM at Northbrae Community Center in Berkeley with featured readers Alison Luterman and Kazim Ali. The event is free, but let us know if you’re coming. You can read more and register at this link: https://www.eventbrite.com/e/sixteen-rivers-fall-fundraiser-and-27th-anniversary-celebration-tickets-1998599846943?aff=ebdssbdestsearch
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Prose Poem for September
by Gertrude Stein
It is a very strange feeling when one is loving a clock that is to every one of your class of living an ugly and a foolish one and one really likes such a thing and likes it very much and liking it is a serious thing, or one likes a colored handkerchief that is very gay and every one of your kind of living thinks it a very ugly or a foolish thing and thinks you like it because it is a funny thing to like it and you like it with a serious feeling, or you like eating something that is a dirty thing and no one can really like that thing or you write a book and while you write it you are ashamed for every one must think you a silly or a crazy one and yet you write it and you are ashamed, you know you will be laughed at or pitied by every one and you have a queer feeling and you are not very certain and you go on writing. Then someone says yes to it, to something you are liking, or doing or making and then never again can you have completely such a feeling of being afraid and ashamed that you had then when you were writing or liking the thing and not any one had said yes about the thing.
_____
Born in Allegheny, Pennsylvania and raised in Oakland, Gertrude Stein was an influential American writer, poet, and art collector, known for her avant-garde literary style and her role in the Parisian art scene during the early 20th century. She became a prominent figure in modernist literature and hosted a famous salon that attracted many leading artists and writers of her time.
Send Us Your Poetry/Short Prose Selections
Send your submission to me at tehret99@comcast.net, with “SCLU Poem/Prose of the Month” in the subject heading.
Send me just one submission, no more than a page (or less). Be patient, as I sometimes have a backlog of poems I’ve selected to publish.
These can be previously published, provided you identify the publishing source. If the piece is not your own, provide the author’s name and source. The author should be a Sonoma County voice, and if contemporary, please ask the author’s permission to submit.
Deadline: You can send the submission any time during the month, but I’ll need to receive your submission a few days before the month’s end to give me time to read, make my choice, and contact the author of the piece selected.
Terry Ehret, co-editor
Sonoma County Literary Update










































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